Wan Roselezam Wan Yahya is an Associate Professor of English Literature at the Faculty of Modern Languages and Communication, Universiti Putra Malaysia.
(See my biography page for more information).
| Silence and the Elderly in Malaysia | ||||||
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Elderly and the use of ICT in Malaysia. |
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| Adult L2 Learning of Victorian Novels Using Literature Circles | ||||||
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The impact of Literature Circles on adult L2 learning of Victorian literature through learners’ perception towards literature and the learners’ attitude towards Literature Circles. |
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| The Role of Nature in Tash Aw’s The Harmony Silk Factory | ||||||
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This paper looks at Tash Aw’s The Harmony Silk Factory and how the writer not only infuses nature-based literary devices but also highlights the interconnectedness between humanity and nature. |
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| Postcolonial Identity in Selected Works by K.S. Maniam and C.M Woon | ||||||
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Mimicry and appropriation of Malay and British Cultures in postcolonial texts set in Malaya. |
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| Children’s Emotions and its Social Meaning | ||||||
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Social stories in relation to emotions and its social meaning. |
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| Theatre as a Platform for Consciousness Raising in Sarah Daniels’s Play The Devil’s Gateway | ||||||
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Theatre is used as a platform for consciousness raising to make women and men more aware of their gender-related behaviour and attitudes. |
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| The Big Books: Understanding the Contents or Illustrations? | ||||||
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This paper focuses on the use of the big books in story reading sessions. |
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| Making Sense of the Absurdity of Life in Camus’s the Myth of Sisyphus | ||||||
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Understanding the concept of the absurd in Albert Camus's The Myth of Sisyphus |
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| A Socialist Feminist Reading of Doris Lessing’s the Grass is Singing | ||||||
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Examining Lessing's novel The Grass is Singing using selected concepts in socialist feminism |
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| Cultural Identity Past and Present: Poetic Imagination of Muhammad Haji Salleh | ||||||
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Tracing cultural identity of the past and present in Muhammad Haji Salleh's poems |
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